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“while there is no such thing as a “net artist”, in view of the fact that the web is not chosen as an exclusive medium, and indeed is often used on an occasional basis, when artists decide to produce a project on the net they undoubtedly have to tackle a series of prerogatives which are not secondary to the nature of the project, and it is true that many artists, setting aside all reservations, embrace these unconditionally, seeing them as an opportunity to strike a mortal blow to some of the dogmas of the art system. In the first place, working on the web means abandoning the notion of authorship, or at least continually having to renegotiate it; working with others, and leaving the user, or software to perform part of the creative process. Identity itself can be simulated or constructed. While the romantic legend of the artistic genius could have survived in certain conditions, the net sounded its death knell. […] The weakening of the notion of the author went hand in hand with that of the concept of artwork as fetish object. Digital data is replicable and always will be; information is by nature free. […] Lastly, the internet as a medium breaks down the art world’s traditional distinctions between roles: community practices, art as communication and dialogue, the use of a medium that is at once means of production, distribution, promotion, dialogue, consumption and critique, rehashes the mediating role played by institutions, critics and curators, and redistributes these roles between the artists and the public.”

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