Along the last year, I have been working hard along with Lorenzo Giusti, curator and Director of GAMeC, Bergamo, and his wonderful team on a monumental museum exhibition, the third chapter in a trilogy on matter conceived by Lorenzo for the museum. I’m happy and proud to start sharing some information about the artists and works that will take over the museum from February 3 to May 28, 2023.
I’m happy to announce that an old – but hopefully still fresh – text of mine has been re-published in the amazing Flatland Reader, a publication from O Fluxo presenting “a collection of art and essays that analyzes today’s post-digital conditions for critical media and artistic practice — the act of blurring the boundaries between the physical and the digital by staking out new paths for understanding and working in the transversal territories bounded by theory, internet, and art.”
The Flatland Reader is available in print on demand on Blurb. “Reality is Overrated. When Media Go Beyond Simulation” can still be read online on Artpulse‘s website, where it was originally published; but I strongly suggest to buy the reader for the great graphic design and the amazing company. The list of participants includes Aaron Graham, Anne de Vries, Brad Troemel, Christopher LG Hill, Constant Dullaart, Couple (Adam Cruces & Louisa Gagliardi), Domenico Quaranta, Ed Fornieles, Harm van den Dorpel, Jon Rafman, Keith J. Varadi, Rafaël Rozendaal, Antoine Donzeaud, Bora Akinciturk, Hotel Art (Loney Abrams & Johnny Stanish), Ilya Smirnov, Jack Self, Jakub Choma, Konstanet (Keiu Krikmann & Epp Olekõrs), Matthew Raviotta, Michael Assiff, Natalya Serkova, New Scenario (Paul Barsch & Tilman Hornig), Nuno Patrício, PANE Project (Lucia Leuci), Ricardo Martins, Something Must Break (Monia Ben Hamouda & Michele Gabriele), Sydney (Conor O’Shea), Timur Si-Qin, The Swan Station (Luca Pozzi), 63rd-77th STEPS (Fabio Santacroce), Vaida Stepanovaite and Zoë De Luca.