Studio Visit: all six works now available on 5e.centre.ch!

Exhibitions

With the upload of Eva and Franco Mattes‘ contribution, Studio Visit – my curatorial project for the Centre d’Art Contemporain Genève online platform, the 5th Floor – is now complete. Following the link above, you can now enjoy 6 newly commissioned videos by Lu YangJames BridlePetra CortrightOliver LaricAria Dean and Eva & Franco Mattes, sharing with us the intimacy of their desktop studio while they work. 
Studio Visit invites artists to allow us access to their desktop studio and their working process. In Studio Visit, the desktop studio is shown off as the real space where an artist’s practice manifests. The focus is both on its furniture – files, tabs, programs – and on the artist at work – their favorite tools, their rhythm, their automatism, the way they find a balance between focus and distraction, between managing and creating, between online life and work. Thanks to the generosity and openness of the participating artists, through the project viewers can silently enjoy how Lu Yang gives shape to his imaginary worlds and fictional characters, how Bridle make research for their future projects, how  Laric investigates the circulation and dispersion of his own iconography; they can attend the genesis of Cortright’s digital paintings as well as see how drawing, reading and collaborating with external producers intermingle in Dean’s practice. 

Two new studio visits available at 5e.centre.ch!

Exhibitions

In this video, James Bridle carries out research into an upcoming expedition to Uzbekistan, reading papers, watching maps, writing emails and reviewing data about bird flights.
James Bridle is a writer and artist working across technologies and disciplines. Their artworks have been commissioned by galleries and institutions and exhibited worldwide and on the internet. Their writing on literature, culture and networks has appeared in magazines and newspapers including Wired, the Atlantic, the New Statesman, the Guardian, and the Observer. New Dark Age, their book about technology, knowledge, and the end of the future, was published by Verso (UK & US) in 2018, and they wrote and presented New Ways of Seeing for BBC Radio 4 in 2019.

Petra Cortright takes us along a half an hour session of digital painting, generating colorful still lifes out of two prepared .psd files with dozens of layers, running automated scripts and doing some manual editing.
Petra Cortright is a contemporary artist whose multifaceted artistic practice stems from creating and manipulating digital files. Cortright’s digitally-conceived artworks physically exist in many forms – printed onto archival surfaces, projected onto existing architecture, or mechanically carved from stone. A notable member of what became known as the ‘Post Internet’ art movement of the mid-to-late-2000s with her YouTube videos and online exhibitions, Cortright later began to laboriously craft digital paintings by creating layer upon layer of manipulated images in Photoshop which she then rendered onto materials such as aluminum, linen, paper, and acrylic sheets. Cortright’s role as an artist is a blend of painter, graphic designer, editor, and producer; culminating in a singular artistic reflection of contemporary visual culture.

Il computer come studio d’artista. Valentina Tanni su Studio Visit

Exhibitions

“Oggi… computer e smartphone sono presenze ubique e centrali nelle vite di gran parte della popolazione; sono allo stesso tempo strumenti di lavoro, apprendimento, creazione, intrattenimento e comunicazione interpersonale. In questo quadro, naturalmente, non fanno eccezione gli artisti. E se tutti, indipendentemente dal medium d’elezione, si sono trovati a inserire una quota di screen-time nella routine quotidiana, per altri invece lo spazio dello schermo è diventato un prolungamento dello studio fisico, quando non la sua unica incarnazione. ” Valentina Tanni scrive di Studio Visit su Artribune, in un pezzo che include anche alcuni frammenti di un dialogo che abbiamo avuto via email. Lo includo in forma integrale qui sotto, a beneficio degli storici del futuro (❁´◡`❁)